Ian Alexander Martin<p>With a premise quite similar to Darren Aronofsky’s directorial debut “Pi” (or “𝛑”), <a href="https://mstdn.ca/tags/PrimeTarget" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PrimeTarget</span></a> is far more digestible and has clearer world-altering stakes at play. Aronofsky’s film was ahead of the viewers’ comprehension of digital matters cryptographic; now we know what might happen owing to things which have already happened.</p><p>*Now* I want to re-watch the 1998 film!</p><p>Watch this. Watch this now. This is stupendous.</p><p>★★★★★</p><p><a href="https://mstdn.ca/tags/review" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>review</span></a> <a href="https://mstdn.ca/tags/CineMastodon" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CineMastodon</span></a> <a href="https://mstdn.ca/tags/AppleTVPlus" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AppleTVPlus</span></a></p>