Art History Animalia<p><a href="https://historians.social/tags/TwoForTuesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TwoForTuesday</span></a> :<br>1. “Bowl painted on interior with <a href="https://historians.social/tags/fish" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>fish</span></a>. Early Nasca.” 41.2/7763B<br>2. “Painted ceramic bowl with a curled fish on interior. Nasca style, Peru.”<br>41.2/7762b<br>[Nazca culture, Peru: c.1-750CE]<br>On display at @ AMNH NYC<br><a href="https://historians.social/tags/IndigenousArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>IndigenousArt</span></a> <a href="https://historians.social/tags/AndeanArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AndeanArt</span></a></p>
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#twofortuesday
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Art History Animalia<p><a href="https://historians.social/tags/TwoForTuesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TwoForTuesday</span></a> :<br>“Double-bodied ceramic whistling bottle. Chimu style, Peru. One half is modeled and painted in the form of a <a href="https://historians.social/tags/bat" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>bat</span></a>, the other half is a stylized spondylus <a href="https://historians.social/tags/shell" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>shell</span></a>.”<br>[Chimú culture: c.900-1470CE]<br>On display at @ AMNH NYC [41.2/7436]<br><a href="https://historians.social/tags/IndigenousArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>IndigenousArt</span></a> <a href="https://historians.social/tags/AndeanArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AndeanArt</span></a></p>
Art History Animalia<p><a href="https://historians.social/tags/TwoForTuesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TwoForTuesday</span></a> :<br>Beaded <a href="https://historians.social/tags/Turtle" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Turtle</span></a> & Beaded <a href="https://historians.social/tags/Lizard" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Lizard</span></a> Umbilical Pouches<br>On display at Santa Rosa Junior College Multicultural Museum (CA, USA)<br>“Umbilical pouches are created by Plains women when babies are born. The umbilical cord of the newborn is dried & then sewn into the pouch. The pouch may then be then hung on cradleboards or blankets as a protective amulet or hung on a tree to draw spirits away from the child. Lizards represent boys & turtles represent girls.”<br><a href="https://historians.social/tags/NativeAmericanArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NativeAmericanArt</span></a> <a href="https://historians.social/tags/IndigenousArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>IndigenousArt</span></a></p>
Art History Animalia<p><a href="https://historians.social/tags/TwoForTuesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TwoForTuesday</span></a> :<br><a href="https://historians.social/tags/Dog" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Dog</span></a> Effigy Figures<br>Colima, West Mexico, c. 400 BCE - 1200 CE<br>L: Hollow ceramic dog figure, likely representing Xoloitzcuintli (90.143)<br>R: Hollow ceramic Xoloitzcuintli figurine (91.156)<br>“These dogs were raised to be eaten, although many people of Mexico believed that a dog accompanied a person's soul on the journey into the underworld.”<br>On display at Santa Rosa Junior College Multicultural Museum (CA, USA)<br><a href="https://historians.social/tags/DogsInArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DogsInArt</span></a></p>
Art History Animalia<p><a href="https://historians.social/tags/TwoForTuesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TwoForTuesday</span></a> :<br>Norbertine von Bresslern-Roth<br>(Austrian, 1891-1978)<br>Meerschweinchen (<a href="https://historians.social/tags/GuineaPigs" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>GuineaPigs</span></a> ), 1921 & 1947<br>color linocuts, 14 × 19 cm & 18 x 23 cm<br><a href="https://historians.social/tags/WomenArtists" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WomenArtists</span></a><br><a href="https://www.facebook.com/photo.php?fbid=2464737193811155" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">facebook.com/photo.php?fbid=24</span><span class="invisible">64737193811155</span></a><br><a href="https://www.kovacek-zetter.at/exponat/42465" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">kovacek-zetter.at/exponat/4246</span><span class="invisible">5</span></a></p>
Art History Animalia<p><a href="https://historians.social/tags/TwoForTuesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TwoForTuesday</span></a> :<br>Nishimura Hodo (蒲堂, Japan, active c.1930-1941)<br>Two <a href="https://historians.social/tags/Rabbits" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Rabbits</span></a> - 2, 1940<br>Woodblock print with embossed colors, oban format 28.1 x 40.8 cm<br><a href="https://ukiyo-e.org/image/jaodb/Nishimura_Hodo-No_Series-Two_Rabbits_2-00034762-040606-F12" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">ukiyo-e.org/image/jaodb/Nishim</span><span class="invisible">ura_Hodo-No_Series-Two_Rabbits_2-00034762-040606-F12</span></a><br><a href="https://historians.social/tags/JapaneseArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JapaneseArt</span></a></p>
Art History Animalia<p><a href="https://historians.social/tags/TwoForTuesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TwoForTuesday</span></a>:<br>Ornament with Two <a href="https://historians.social/tags/Horses" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Horses</span></a><br>China, nomadic, Han, 206 BCE - 220 CE<br>Cast bronze sculpture<br>3 x 2 7/8 x 1 in. (7.62 x 7.3 x 2.54 cm)<br>LACMA 63.36.14 <a href="https://collections.lacma.org/node/233904" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">collections.lacma.org/node/233</span><span class="invisible">904</span></a><br><a href="https://historians.social/tags/ChineseArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ChineseArt</span></a></p>
Art History Animalia<p><a href="https://historians.social/tags/TwoForTuesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TwoForTuesday</span></a> :<br><a href="https://historians.social/tags/Fox" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Fox</span></a> and <a href="https://historians.social/tags/Swan" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Swan</span></a> Creamer<br>England, Staffordshire, c. 1800<br>Earthenware (Pratt ware), 12.1 cm (4 3/4 in.)<br>Cleveland Museum of Art 1962.121 <a href="https://www.clevelandart.org/art/1962.121" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="">clevelandart.org/art/1962.121</span><span class="invisible"></span></a></p>
Art History Animalia<p><a href="https://historians.social/tags/TwoForTuesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TwoForTuesday</span></a> + <a href="https://historians.social/tags/TilesOnTuesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TilesOnTuesday</span></a>:<br>Tile panel with inscription and <a href="https://historians.social/tags/peacocks" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>peacocks</span></a><br>Iran, c.1825<br>Ceramic, H 20.5 x W 50 in (52.1 x 127 cm)<br>Asian Art Museum F2008.64.18.a-.b<br><a href="https://searchcollection.asianart.org/objects/18663/tile-panel-with-inscription-and-peacocks" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">searchcollection.asianart.org/</span><span class="invisible">objects/18663/tile-panel-with-inscription-and-peacocks</span></a><br><a href="https://historians.social/tags/BirdsInArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>BirdsInArt</span></a> <a href="https://historians.social/tags/IslamicArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>IslamicArt</span></a></p>
Art History Animalia<p><a href="https://historians.social/tags/TwoForTuesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TwoForTuesday</span></a>:<br>Osuitok Ipeelee (Inuit, 1923 – 2005)<br>Untitled (<a href="https://historians.social/tags/Walruses" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Walruses</span></a>), c. 1977<br>Steatite, caribou antler; 29.2 x 37.2 x 21.9 cm<br>Musée des beaux-arts de Montréal inv. 2014.234.1-4 <a href="https://www.mbam.qc.ca/en/works/66799/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="">mbam.qc.ca/en/works/66799/</span><span class="invisible"></span></a><br><a href="https://historians.social/tags/IndigenousArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>IndigenousArt</span></a> <a href="https://historians.social/tags/FirstNationsArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FirstNationsArt</span></a></p>
Art History Animalia<p><a href="https://historians.social/tags/TwoForTuesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TwoForTuesday</span></a>:<br>Two Flat Stamps ( <a href="https://historians.social/tags/Snake" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Snake</span></a> & <a href="https://historians.social/tags/Frog" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Frog</span></a> )<br>Atlantic Watershed, Costa Rica, 1st–7th c. CE<br>Ceramic, H. 1 15/32 x W. 2 3/32 in. (3.7 x 5.3 cm)<br>Metropolitan Museum of Art, New York 1979.206.1181,.1183<br><a href="https://www.metmuseum.org/art/collection/search/698256" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">metmuseum.org/art/collection/s</span><span class="invisible">earch/698256</span></a><br><a href="https://historians.social/tags/IndigenousArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>IndigenousArt</span></a> <a href="https://historians.social/tags/CentralAmericanArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CentralAmericanArt</span></a><br>See ALT for more info!</p>
Art History Animalia<p><a href="https://historians.social/tags/TwoForTuesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TwoForTuesday</span></a>:<br>Double-Headed <a href="https://historians.social/tags/Crocodile" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Crocodile</span></a> Jar<br>Greater Nicoya Culture, Nicaragua, 800-1250 CE<br>Lago modeled clay with slip<br>H 7 3/8in 18.7cm x W 17 1/2in 44.5cm x D 7 3/4in 19.7cm<br>Denver Art Museum 1995.396 <a href="https://www.denverartmuseum.org/en/object/1995.396" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">denverartmuseum.org/en/object/</span><span class="invisible">1995.396</span></a><br><a href="https://historians.social/tags/IndigenousArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>IndigenousArt</span></a> <a href="https://historians.social/tags/CentralAmericanArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CentralAmericanArt</span></a></p>
Bosque Bill<p>Two Towers<br>Valley of the Gods, UT</p><p><a href="https://techhub.social/tags/TwoForTuesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TwoForTuesday</span></a> <a href="https://techhub.social/tags/photo" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>photo</span></a> <a href="https://techhub.social/tags/landscape" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>landscape</span></a> <a href="https://techhub.social/tags/geolgy" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>geolgy</span></a> <a href="https://techhub.social/tags/PublicLands" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PublicLands</span></a> <a href="https://techhub.social/tags/Utah" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Utah</span></a></p>
Art History Animalia<p><a href="https://historians.social/tags/TwoForTuesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TwoForTuesday</span></a> :<br>L. Riedler (Austrian, active 2nd half 19th c.)<br>"Wie wird es enden?" & “So wird es enden!" c.1900<br>Oil on wood, each panel 26.5 x 20.5 cm, <br>titled & signed on backs<br><a href="https://historians.social/tags/DogsInArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DogsInArt</span></a> <a href="https://historians.social/tags/Dachshunds" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Dachshunds</span></a></p><p><a href="https://commons.wikimedia.org/wiki/File:L_Riedler_Hunde_1_Wie_wird_es_enden.jpg" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">commons.wikimedia.org/wiki/Fil</span><span class="invisible">e:L_Riedler_Hunde_1_Wie_wird_es_enden.jpg</span></a><br><a href="https://commons.wikimedia.org/wiki/File:L_Riedler_Hunde_2_So_wird_es_enden.jpg" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">commons.wikimedia.org/wiki/Fil</span><span class="invisible">e:L_Riedler_Hunde_2_So_wird_es_enden.jpg</span></a></p>
Art History Animalia<p><a href="https://historians.social/tags/TwoForTuesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TwoForTuesday</span></a> :<br>Ernst Wilhelm Bernhardi (Polish, 1671-1736) <br>Zwierzęta w pejzażu (<a href="https://historians.social/tags/Animals" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Animals</span></a> in the Landscape), 1708<br>Oil on canvas, H 71 cm (27.9 in) x W 59 cm (23.2 in)<br>National Museum in Wrocław VIII-0465<br><a href="https://commons.wikimedia.org/wiki/File:Bernhardi_Animals.jpg" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">commons.wikimedia.org/wiki/Fil</span><span class="invisible">e:Bernhardi_Animals.jpg</span></a></p>
Art History Animalia<p><a href="https://historians.social/tags/TwoForTuesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TwoForTuesday</span></a>:<br>Augustus Aaron Wilson (USA,1864-1950)<br><a href="https://historians.social/tags/Tigers" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Tigers</span></a> , 1931<br>#1 (left) Painted wood, wire, 24 1/2 x 9 x 86 in. (62.2 x 22.9 x 218.4 cm)<br>#2 (right) Painted wood, horsehair or bristles, 36 x 12 x 79 in. (91.4 x 30.5 x 200.7 cm)<br>Brooklyn Museum 1999.26.1,2 <br><a href="https://www.brooklynmuseum.org/opencollection/objects/2487" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">brooklynmuseum.org/opencollect</span><span class="invisible">ion/objects/2487</span></a><br><a href="https://www.brooklynmuseum.org/opencollection/objects/2488" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">brooklynmuseum.org/opencollect</span><span class="invisible">ion/objects/2488</span></a></p>
Art History Animalia<p><a href="https://historians.social/tags/SquirrelAppreciationDay" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SquirrelAppreciationDay</span></a> 🐿️ + <a href="https://historians.social/tags/TwoForTuesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TwoForTuesday</span></a> :<br>E. Mervyn Taylor (New Zealand, 1906 - 1964)<br><a href="https://historians.social/tags/Squirrels" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Squirrels</span></a> , n.d. (probably 1950s)<br>colour woodcut, signed ed. of 100<br>21 x 21 cm<br><a href="https://www.mutualart.com/Artwork/Squirrels/B28F131B0D5C707C228BE4CEEA8B1DC4" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">mutualart.com/Artwork/Squirrel</span><span class="invisible">s/B28F131B0D5C707C228BE4CEEA8B1DC4</span></a></p>
Art History Animalia<p><a href="https://historians.social/tags/TwoForTuesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TwoForTuesday</span></a> :<br>Delia Portsmouth (b.c.1916-?)<br>The <a href="https://historians.social/tags/Badgers" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Badgers</span></a>, 1970<br>Oil on board, H 59.5 x W 89.7 cm<br>Llyfrgell Genedlaethol Cymru | The National Library of Wales PB08169/9 via Art UK <a href="https://artuk.org/discover/artworks/the-badgers-120765" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">artuk.org/discover/artworks/th</span><span class="invisible">e-badgers-120765</span></a><br><a href="https://historians.social/tags/WomenArtists" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WomenArtists</span></a></p>
Bosque Bill<p>Two Towers<br>Valley of the Gods, UT</p><p><a href="https://techhub.social/tags/TwoForTuesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TwoForTuesday</span></a> <a href="https://techhub.social/tags/photo" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>photo</span></a> <a href="https://techhub.social/tags/landscape" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>landscape</span></a> <a href="https://techhub.social/tags/PublicLands" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PublicLands</span></a> <a href="https://techhub.social/tags/Utah" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Utah</span></a> <a href="https://techhub.social/tags/AerialView" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AerialView</span></a></p>
Art History Animalia<p><a href="https://historians.social/tags/TwoForTuesday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TwoForTuesday</span></a> :<br><a href="https://historians.social/tags/Lizard" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Lizard</span></a> ear ornaments <br>Moche: Trujillo, La Libertad, Peru, 1-800 CE<br>Gold, conch shell, turquoise<br>H 78 x L 84 x W 78 mm; 53 g<br>“This is a pair of ear ornaments representing lizards. Lizards were considered animals that connect the beach and the dry forests. <br>Ear ornaments have been one of the most significant ornaments to distinguish elite personages in the Andes.“<br>Museo Larco ML100784,85<br><a href="https://artsandculture.google.com/asset/4gEyxOGxAv8Vzw" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">artsandculture.google.com/asse</span><span class="invisible">t/4gEyxOGxAv8Vzw</span></a><br>image:<br><a href="https://www.flickr.com/photos/zug55/4913074272/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">flickr.com/photos/zug55/491307</span><span class="invisible">4272/</span></a> [zug55]<br><a href="https://historians.social/tags/IndigenousArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>IndigenousArt</span></a> <a href="https://historians.social/tags/PeruvianArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PeruvianArt</span></a></p>
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