Ho aggiunto una nuova paginetta, che sarebbe una cosina semplice semplice per fare #ansiart / #asciiart la trovate qui: https://bitartnoise.altervista.org/ansia.html
Ho aggiunto una nuova paginetta, che sarebbe una cosina semplice semplice per fare #ansiart / #asciiart la trovate qui: https://bitartnoise.altervista.org/ansia.html
#PunkySkunk got a raw deal as a video game hero on account of his game coming out at exactly the wrong time. But some folks out there still remember, and so I drew him looking rather dashing for a skunk in a jumpsuit with a pogo stick. I love how this one came out!
As further proof that the art of an alien world I posted today was created by human hands and not by a soulless algorithm, here is an animated timelapse of every workstage!
Here's an experiment done in response to recent news in the art world. Image 1 is what I scribbled right before work yesterday morning. Image 2 is what those simple shapes turned into after I came home and reopened my art app. This is proof that all you need to create strange worlds is your imagination, something genAI and its proponents can never possess or understand.
Just prepping some ANSI art for our contest @defcon
Mistodon: originally drawn in #pixelart as part of @grymmjack 's "food gang" as seen a few days ago, this saucy character was redrawn in #ANSIart as interface art for the new IMBIBE01 food-themed electronic magazine. We then took things a step further and also used him in a promo for Chicago's #textmode art-loving @paperthinpizza , purveyors of delicious pies and terrible Figlet logos.
ABC shut down FiveThirtyEight, once an amazing site for data-driven journalism and sports analysis.
I loved incorporating 538's data into old-school #retrocomputing and BBS projects, like my ANSI "Elex Forecast" BBS door. It used data from their 2016 and 2020 Election Forecast visualizations.
https://breakintochat.com/blog/2016/10/04/who-needs-svg-when-youve-got-ansi/
Mistodon: Odd drew us this constrained #SteamedHams #ANSIart tribute to use as the FILE_ID.DIZ for our 'new' debut issue of Imbibe, an MS-DOS food-and-drink themed electronic magazine that's been on our back burner since 1998. For a taste you can try it out via https://16colo.rs/mag/imbibe01
You're down at the local bar, and so are a couple of pretty faces who've taken an interest in you. Would you like to join them?
Much-belated birthday art featuring me and my #SecondLife DJ avatar Sonari Ojorado!
MIST-30/MM-CRTANGEL
Mistigram: the fondly-remembered spirit of a bygone era, @mavenmob’s #ANSIart illustration ‘CRT Angel’ manages to enshrine a species of technological nostalgia. This screen was included in the MIST-30 artpack celebration.
Mistodon: the fondly-remembered spirit of a bygone era, mavenmob@oldbytes.space's #ANSIart illustration 'CRT Angel' manages to enshrine a species of technological nostalgia. This screen was included in the MIST-30 artpack celebration.
I drew @BrodieOnLinux as ASCII art, because his Linux youtube channels are sweet.
FANSI had its own file format -- .FAN -- which I'm hoping to write a parser for.
I learned something new today from Eric March about the .FAN format.
The first ~6K is character data -- every character, along with its FG and BG color, for the 80 columns and 24 lines.
But the final 30K is bitmap data -- a full screen dump of the image as it is displayed in the editor.
Why?
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Recently I've been working on a fork of libansilove and ansilove-c that adds support for using fonts and color palettes derived from the Atari ST programs ANSIterm and FANSI.
FANSI was a really slick ANSI editor for the ST from Eric March.
It was a godsend to me as a teen when it was released in 1994. Finally I had a way to draw my own ANSI art in the full 16 colors.
If only it had come out a few years earlier!
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Mistodon: what kinds of mechanisms operate in your head when the hamster starts running on its wheel? The Godfather drew this spooky cross-section #ANSIart screen for a project titled #GhostsInTheMachine, included in the MIST-30 celebration artpack.